I awoke all stuffed up, miserable, and sore this morning.\u00a0 Really didn’t sleep well.\u00a0 I know I’ve been complaining a lot lately about this cold, but I’m actually pretty lucky that it hit me at the end <\/em>of the trip, as opposed to the beginning.<\/p>\n After breakfast, we got on the bus and drove for 2.5 hours back to Wroclaw<\/a>.\u00a0 Tried to nap on the bus, but no luck.<\/p>\n It’s good to be back in Wroclaw, and around relatively familiar surroundings – it’s probably the closest thing I could call to home out here.\u00a0 Compared to Poznan, Wroclaw fits me like a pair of comfy running shoes.<\/p>\n [simage=569,288]<\/p>\n We’re at a different hostel this time.\u00a0 I like the decor.\u00a0 I think Em would like it, too:<\/p>\n [simage=570,288] After unloading our stuff at the hostel, we went to go have dinner.\u00a0 Guess what we ate?\u00a0 Pirogies!\u00a0 I have to admit, I was getting a little sick of eating pirogies day in and day out, but I figured it’d be a long time before I had authentic Polish pirogies again, so I ate up.<\/p>\n I’m at a theatre, watching a talk session with Tadashi Suzuki<\/a>, the famed Japanese theatre director\/philosopher, and founder of the Suzuki Method of Actor Training (not to be confused with the training technique for music<\/a>).\u00a0 So, what’s the Suzuki Method of Actor Training?\u00a0 Hard for me to say – I’ve never taken it.\u00a0 But my movement instructor learned Suzuki during a sabbatical, and my girlfriend Em ended up learning it in her class.\u00a0 From what I’d heard, it’s a lot of leg-work, feet-work, stomping, etc.\u00a0 Here’s a description of a Suzuki course to give you an idea:<\/p>\n Suzuki is a powerful physical training technique drawing from ballet, martial arts, Kabuki and other disciplines. Focusing on breath, the center and the lower body, with stomping, slow movement and explosive gestures, Suzuki brings attention to the voice and its connection to the body.<\/p><\/blockquote>\n Anyhow, I’m watching him during this talk-back session, and it’s a pretty interesting interview process.<\/p>\n You see, I don’t believe Suzuki speaks English or Polish.\u00a0 The interviewer speaks both Japanese and Polish, but only Japanese to Suzuki.\u00a0 Suzuki responds in Japanese, which goes through his personal translator, who speaks it in Polish.\u00a0 A fourth guy on the edge then translates the Polish into English to give us poor Canadian sods an idea of what’s going on.<\/p>\n I must admit, I welcome the opportunity to zone out a bit while I wait for the English.<\/p>\n Here’s a shot of the linguistic circus:<\/p>\n [simage=566,288]<\/p>\n The talk seems to be centered around modern technology, and how Suzuki believes it is damaging our collecting ability to remember our history.\u00a0 Interesting, but I think I’ve heard that one before.<\/p>\n After the talk, I got up, realized I was exhausted, and headed back to the hostel for a short nap.<\/p>\n I woke up at 5:52PM with a start.\u00a0 The hostel was empty.\u00a0 I’m groggy, and I have the faint suspicion that something is wrong.\u00a0 Unable to fathom what it is, I put on my clothes and stretch.<\/p>\n And that’s when I notice my ticket for the next show:\u00a0 it’s supposed to start at 6PM.<\/p>\n I have a lightning fast consultation with the hostel computer for directions to the theatre, and then a quick chat with the hostel desk girl for advice on shortcuts, and then I hit the street.\u00a0 I sprint to the theatre at top speed.<\/p>\n And somehow, magically, I make it.\u00a0 I was lucky – the theatre was pretty close to our hostel.\u00a0 I enter the building and eventually find my comrades who had had no idea that I’d been sleeping when they’d left.<\/p>\n I didn’t even know what show I was seeing, until I looked at my ticket again…<\/p>\n Wow!\u00a0 Samuel Beckett<\/a> and Peter Brook<\/a>!\u00a0 Now those are two names I definitely recognize.\u00a0 I had studied Brook in both highschool and University, and Beckett in the latter.<\/p>\n I even saw Peter Brook that night – I walked past him in the lobby.\u00a0 He was in the middle of a conversation with someone else, so I didn’t interrupt (I don’t even know what I would have said if I had…”you do great work”…?).<\/p>\n He’s shorter than I thought he’d be.<\/p>\n Anyhow, the show was absolutely awesome.\u00a0 I loved it, back to front.<\/p>\n Fragments is a series of shorts originally written by Samuel Beckett.\u00a0 The set was very sparse, containing only what was necessary.\u00a0 The costumes were simple.\u00a0 The acting was fantastic.<\/p>\n What was it?\u00a0 Well, pretty black comedy is what I saw.\u00a0 Gallows humour.<\/p>\n A one legged beggar and a blind beggar try to strike up a mutually beneficial relationship.<\/p>\n A lady in a rocking chair speaks hypnotic circles while waiting (and yearning) for death to take her.<\/p>\n Two men wake up in burlap sacks.\u00a0 One goes through his day, “worldweary and bemused”, with every possible obstacle in life causing him to groan and sigh.\u00a0 The other man goes through his day (and the same obstacles) with unbelievable energy and optimism.\u00a0 Both end up in the same place at the end.\u00a0 Classic Beckett, and wonderful clowning by the two actors.<\/p>\n Those were the three shorts that stood out for me, anyhow.\u00a0 I really enjoyed them.<\/p>\n After the show, we all rushed out to the opera theatre…we had another show to see.<\/p>\n Wow!\u00a0 Another name I recognize!\u00a0 From what I know about her (which, admittedly isn’t much) Bausch’s<\/a> name is synonymous with incredible and original choreography in modern dance.<\/p>\n And that’s what we saw.\u00a0 Incredible dance.\u00a0 Incredibly choreographed, and incredibly executed.<\/p>\n I won’t lie – I’m a sucker for contemporary dance.\u00a0 I lapped this show right up.<\/p>\n This, despite a partially obstructed view (the old opera theatre was gold and gorgeously ornate, but had some unfortunately placed pillars).<\/p>\n I can’t even begin to describe the dancing.\u00a0 This clip is the best I can do:<\/p>\n
\n[simage=571,288]<\/p>\n2:55PM<\/h3>\n
Late<\/h3>\n
FRAGMENTS By Samuel Beckett, Directed By Peter Brook<\/h3>\n
NEF\u00c9S by Pina Bausch<\/h3>\n