{"id":179,"date":"2009-02-19T23:29:03","date_gmt":"2009-02-20T04:29:03","guid":{"rendered":"http:\/\/mikeconley.ca\/blog\/?p=179"},"modified":"2023-12-20T16:25:22","modified_gmt":"2023-12-20T21:25:22","slug":"from-gss-to-uoft-drama-ucdp-part-2","status":"publish","type":"post","link":"https:\/\/mikeconley.ca\/blog\/2009\/02\/19\/from-gss-to-uoft-drama-ucdp-part-2\/","title":{"rendered":"From GSS to UofT Drama (UCDP) &#8211; Part 2"},"content":{"rendered":"<p>This is a long post.\u00a0 Maybe make yourself a sandwich first.<\/p>\n<p>Here&#8217;s the story of how I accidentally auditioned for the UCDP DRM200 performance class, and failed my audition.<\/p>\n<p>I had just completed my first year of university at UofT as an Electrical \/ Computer Engineer.\u00a0 And I had <em>hated<\/em> it.\u00a0 Like, really, vehemently, <em>hated<\/em> it.\u00a0 The computer programming classes were fine, but the other ones&#8230;.bleh.\u00a0 ECE was not for me.\u00a0 So I switched out of Enginnering, and transferred to the Arts &amp; Science faculty.\u00a0 I hadn&#8217;t declared any majors yet, so I was more or less free to pick and choose among the courses in the calendar that I liked.\u00a0 I had no direction, no goal, graduation date, no program of study, nothing.\u00a0 I was starting from scratch at UofT, with only a few transfer credits to my name.<\/p>\n<p>So I dug through the UofT calendar, and here&#8217;s what I chose:<\/p>\n<ul>\n<li>AST251 &#8211; Life on Other Worlds<\/li>\n<li>JEF100 &#8211; The Western Tradition<\/li>\n<li>MAT137 &#8211; Calculus!<\/li>\n<li>MUS325 &#8211; The Age of Haydn and Mozart<\/li>\n<li>SCM219 &#8211; Studies in Mass Media<\/li>\n<li>CSC148 &#8211; Introduction to Computer Science<\/li>\n<li>PHL273 &#8211; Environmental Ethics<\/li>\n<li>DRM100 &#8211; Introduction to Drama &#8211; Form and Style<\/li>\n<\/ul>\n<p>Yep, I spread it out, just choosing the ones that sounded interesting.<\/p>\n<p>Now, the UCDP website just recently got a face-lift (I think they switched to Joomla!, if it matters).\u00a0 Anyhow, organizational-wise, it wasn&#8217;t in the greatest shape when I was in second year.<\/p>\n<p>So, scouring around, I found on the site that if I wanted to take any of the Drama courses, I needed to audition and be accepted, and that there were only a few audition dates, and they needed a headshot, and cover letter, and a ballot form.<\/p>\n<p>So, naturally, I printed out the ballot form, wrote out a cover letter, sent in a photo.\u00a0 A week or two later I got an email with my audition date.\u00a0 Cool.<\/p>\n<p>Here&#8217;s where it starts to get hairy.\u00a0 Grimsby is about an hours drive from Toronto, and on the morning of my audition, traffic was <em>really bad<\/em>.\u00a0 By the time I got to the audition location, I was about half-an-hour late.<\/p>\n<p>Yikes.<\/p>\n<p>Plus, it didn&#8217;t help that the man who was running the audition (who I would later discover to be Ken Gass himself) seemed quite annoyed at my lateness, and the fact that I&#8217;d missed <em>half of the audition<\/em>.<\/p>\n<p>So, what did we do in the audition?\u00a0 Well, from what I remember, he gave us an extremely short monologue, and we had to deliver it each, one by one.\u00a0 Here&#8217;s the monologue:<\/p>\n<blockquote><p>I thought we were going to<\/p>\n<p>Oh<\/p>\n<p>Forget it<\/p>\n<p>Just forget it<\/p><\/blockquote>\n<p>We had to find a way to deliver that.\u00a0 So naturally, everyone was trying to do something different and interesting, and I did mine, and I have no idea how I did.<\/p>\n<p>What I <em>did <\/em>notice, was this strange&#8230;familiarity between people.\u00a0 All of the people auditioning seemed to know one another.\u00a0 This was kind of spooky.\u00a0 I felt very out of place, and way out of my depth&#8230;and I totally knew I was bombing the audition, on top of my late arrival.\u00a0 I could feel Ken Gass, scowling into my brain.<\/p>\n<p>And then it was over.\u00a0 The audition part, anyways.\u00a0 Everyone got off the stage and started talking to one another &#8211; again, like they all knew one another &#8211; and I just grabbed my stuff and left.<\/p>\n<p>But it wasn&#8217;t over&#8230;the audition has a second half.\u00a0 It&#8217;s an audition AND an interview.\u00a0 So, I killed time at Tim Horton&#8217;s with my Dad (probably telling him how much I bombed the audition, while he listened, patiently) and waited until my interview time came.<\/p>\n<p>And then my interview time came.<\/p>\n<p>I walked into this room&#8230;and there were three people sitting across from a table, and a chair on my side, facing them.\u00a0 I sat down.\u00a0 I recognized Ken as one of the interviewers&#8230;the other two I didn&#8217;t recognize, but I&#8217;d later find out that one of them was Pia Kleber, who at the time was the Drama Program Director.<\/p>\n<p>So, right to business (since they were auditioning\/interviewing hundreds), she asks me what kind of theater I&#8217;ve seen lately.\u00a0 I stumble a response, not prepared&#8230;I say something about the Lion King production, and The Blue Man Group&#8230; they didn&#8217;t seem impressed at all.\u00a0 She asked me what kind of plays I liked, and I said I enjoyed Shakespeare (the only playwright that came to mind instantly).\u00a0 She quizzed me on Shakespeare, asking me my favourite play, and why I liked it, and basically proved to herself (and myself) that I didn&#8217;t know what I was talking about.<\/p>\n<p>And then she asked the big one:<\/p>\n<blockquote><p>So, tell me, what will you do if you don&#8217;t get into Drama 200?<\/p><\/blockquote>\n<p>And I sit there.\u00a0 Confused.<\/p>\n<blockquote><p>I don&#8217;t want to be in Drama 200.\u00a0 I signed up for Drama 100<\/p><\/blockquote>\n<p>There&#8217;s an uncomfortable pause.\u00a0 Ken Gass <a href=\"http:\/\/mikeconley.ca\/blog\/wp-content\/uploads\/2009\/02\/picard-facepalm.jpg\" target=\"_blank\" rel=\"noopener\">facepalms<\/a>.\u00a0 Pia Kleber stares at me in dumbfounded silence, and then says:<\/p>\n<blockquote><p>You don&#8217;t need to audition for Drama 100.\u00a0 Take some workshops, see more theater, and audition next year.<\/p><\/blockquote>\n<p>And I walked out.\u00a0 I completely blew my audition for DRM200, a class I wasn&#8217;t even going to take.<\/p>\n<p>The next summer I auditioned again.\u00a0 I had seen more theater, read more plays, prepped&#8230;I don&#8217;t think Ken recognized me, but if he did, he hid it well.\u00a0 Anyhow, that summer I got in.\u00a0 And that&#8217;s how it happened.<\/p>\n<p>The end.<\/p>\n<h1>So, take home message:<\/h1>\n<p>Coming out of high-school, you do NOT need to audition for DRM100.\u00a0 You only need to audition if you want to get into DRM200.<\/p>\n<p>If you <em>are <\/em>auditioning from DRM200, here are some tips:<\/p>\n<ul>\n<li>See lots of theater in Toronto.\u00a0 Not Broadway stuff, the indie stuff.\u00a0 Go to <a href=\"http:\/\/www.factorytheatre.ca\/\" target=\"_self\" rel=\"noopener\">Factory<\/a>, <a href=\"http:\/\/www.tarragontheatre.com\/\" target=\"_self\" rel=\"noopener\">Tarragon<\/a>, <a href=\"http:\/\/www.passemuraille.on.ca\/\" target=\"_self\" rel=\"noopener\">Passe-Muraille<\/a>, <a href=\"http:\/\/www.artsexy.ca\/\">Buddies<\/a>, etc.\u00a0 Some really great shows.\n<ul>\n<li>Added bonus:\u00a0 I know that Factory gets volunteers to usher shows, and that volunteer ushers get to watch the show for free!\u00a0 Contact Factory at their website for more info.<\/li>\n<\/ul>\n<\/li>\n<li>Get familiar with some Canadian plays.\u00a0 Read some John Mighton, George F. Walker, Judith Thompson.\u00a0 Read a Shakespeare play or two, that can&#8217;t hurt either.<\/li>\n<li><em>Show up on time<\/em><\/li>\n<li>Just relax.\u00a0 Everyone else there is probably as nervous as you are.\u00a0 Be cool.<\/li>\n<li>Ken will probably get you into a big circle at the start of the audition, and then one by one, you enter the circle, say your name, and then leave the circle.\n<ul>\n<li>Don&#8217;t make it a scene.\u00a0 Just follow the instructions.\u00a0 In my audition, a guy fake-tripped into the circle, and started making it a little gag scene.\u00a0 Don&#8217;t.<\/li>\n<li>Wait until you get into the center, plant, and <em>then<\/em> say your name clearly.\u00a0 Make eye-contact with the people in your field of vision.\u00a0 Turn your head back and forth to bring more people into your field of vision.<\/li>\n<li>Make sure it&#8217;s the approximate center of the circle.<\/li>\n<li>Don&#8217;t scream, yell, or otherwise force your name.\u00a0 Just say it clearly so everyone can hear it.<\/li>\n<li>Pay attention while other people are doing the exercise.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>That last one is a biggie &#8211; show respect to your fellow audition-ees.\u00a0 Ken (et al) are looking for lots of things; but one of the big ones is this:\u00a0 Is this person someone I will want in my class?\u00a0 Is this person someone I can work with?\u00a0 If you&#8217;re chatting while someone else is doing their work, it&#8217;s no good.\u00a0 Even when you&#8217;re not on stage, if you&#8217;re watching someone else work, you&#8217;re learning.<\/p>\n<p>Anyhow, this is a super-long post, I think I&#8217;m going to wrap it up.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This is a long post.\u00a0 Maybe make yourself a sandwich first. Here&#8217;s the story of how I accidentally auditioned for the UCDP DRM200 performance class, and failed my audition. I had just completed my first year of university at UofT as an Electrical \/ Computer Engineer.\u00a0 And I had hated it.\u00a0 Like, really, vehemently, hated [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,9,4],"tags":[77,78,1208,1204],"class_list":["post-179","post","type-post","status-publish","format-standard","hentry","category-personal","category-theater","category-ucdp","tag-audition","tag-ken-gass","tag-theater","tag-ucdp"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/prmTy-2T","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/mikeconley.ca\/blog\/wp-json\/wp\/v2\/posts\/179","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mikeconley.ca\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mikeconley.ca\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mikeconley.ca\/blog\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/mikeconley.ca\/blog\/wp-json\/wp\/v2\/comments?post=179"}],"version-history":[{"count":3,"href":"https:\/\/mikeconley.ca\/blog\/wp-json\/wp\/v2\/posts\/179\/revisions"}],"predecessor-version":[{"id":3269,"href":"https:\/\/mikeconley.ca\/blog\/wp-json\/wp\/v2\/posts\/179\/revisions\/3269"}],"wp:attachment":[{"href":"https:\/\/mikeconley.ca\/blog\/wp-json\/wp\/v2\/media?parent=179"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mikeconley.ca\/blog\/wp-json\/wp\/v2\/categories?post=179"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mikeconley.ca\/blog\/wp-json\/wp\/v2\/tags?post=179"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}