Recently, I came to the realization that I’ve been writing computer programs in one form or another since I was about 6 or 7 years old.
Along the way, I’ve had plenty of people to influence the way I think about code, and how I write it. Sure, there have been plenty of textbooks along the way too, but I want to give some thanks to the people who have directly affected my abilities to do what I do.
And what better way of doing that then by listing them?
A Chronological List of People Who Have Influenced My Coding
My parents, for bringing home our first family computer. It was an 8088XT IBM Clone – no hard drive, 640K of RAM, dual 5 1/4 floppies…it was awesome. This is the computer I started coding on – but I couldn’t have started without…
My Uncle Mark and my Aunt Soo. Both have degrees in Computer Science from the University of Waterloo (that’s where they met). My recollection is pretty vague, but I’m pretty sure that a lot of the programming texts in my house (a big blue QuickBasic manual comes to mind) surely didn’t come from my parents – must have been those two. With the book in one hand, and the 8088 in the other, I cranked out stupid little programs, little text adventure games, quizzes, etc.
The online QB community from the late 1990’s to the early 2000’s. When my family got online, I soon found myself hanging out at NeoZones, in the #quickbasic IRC channel on EFNet… actually, a lot of crazy stuff was being done with QuickBasic back then – I remember when DirectQB came out, and somebody was able to code a raytracer…in BASIC. It was awesome. I’d say these were my foundation years, when I learned all of my programming fundamentals.
My friends Nick Braun, Joel Beck, and Doug McQuiggan – these three guys and I used to come up with crazy ideas for games, and I’d try to program them. I’d come home from school, and pound out code for a computer game for a few hours in the basement. More often then not, these projects would simply be abandoned, but still, a lot was learned here.
Joel, Doug, our friend Julian and myself were also members of a band in highschool. It was my job to build and maintain the band website, and this is when I learned to write HTML, basic Perl, and simple JavaScript.
After highschool, I went into Electrical and Computer Engineering at the University of Toronto. I didn’t do too well at the Electrical bits, but I could handle myself at the Computer bits. I learned OOP, Java, and basic design patterns from Prof. James McLean.
I also learned a great deal from Prof. McLean’s course text – Introduction to Computer Science Using Java by Prof. John Carter. I know I said I wasn’t going to mention textbooks, but I also got taught Discrete Mathematics from Prof. Carter, so I thought I’d toss him in too.
My second (and last) semester in ECE had me taking Programming Fundamentals with Prof. Tarak Abdelrahman. I learned basic C++ from Prof. Abdelrahman, and how to deal with large systems of code.
After my move to the Arts & Science Faculty, I took my first Computer Science course with Dr. Jim Clarke. I learned about Unit Testing, and more design patterns. I also eventually learned some basic Python from him, but I think it was in another course.
I took CSC258 with Prof. Eric Hehner, and learned about the structure of computer processors. Physically, this was a low-level as I’d ever gotten to computers. I was familiar with writing Assembly from my QB days, but Prof. Hehner’s Opcode exercises were really quite challenging – in a pleasant way. Also, check out his concept of Quote Notation…
After that year, I spent the first of three summers working for the District School Board of Niagara. Ken Pidgen was my manager, Mila Shostak was my supervisor. Ken gave me incredible freedom to work, and soon I was developing web applications, as opposed to just fixing up department websites (as I originally thought I would be doing). Mila gave me guidance, and showed me how to use CSS to style a website. She also got me started using PHP and MySQL to create basic web applications.
While working at the Board, I had the pleasure of sitting across from Jong Lee. Jong and I would bounce ideas off of one another when we’d get stuck on a programming problem. He was very experienced, and I learned lots of practical programming techniques from him.
Michael Langlois and Ken Redekop acted as my clients at the Board, and always gave me interesting jobs and challenges to perform.Everyone at the Board was always very positive with me, and I’ll always be grateful that they took a newbie undergrad under their wing! I was given a ridiculous amount of freedom at the Board, and was allowed to experiment with various technologies to get the job done. Through my three summers there, I learned bits about Rails, CakePHP, MVC, network security, how to deploy an application remotely, how to run a local server, how to develop locally and post to remote, ORM, Flash, web security…so many things. The list is huge.
Karen Reid and Greg Wilson have been the latest influences on me. The MarkUs Project was the first project I’ve ever worked on with a team. It was my first time seriously using version control, my first time using a project management portal (Dr. Project), my first time learning Ruby, and my first time working on an open source project. I’ve also learned plenty about time management, people, the business of software, and how to get things done. Again, I’ve been given lots of freedom to learn, experiment, and hone my craft.
Anyhow, these are the people who come to mind. I might add to this list if I remember anyone else.
But in the mean time, for the people listed above: thank you.
During breakfast, I found out that it was another free day – once more, Wroclaw was our playground to romp around in independently, followed by another version of Hamlet (HAMLET. SILENCE FROM THE BODY by Roberto Bacci) that night. It was also our last night in Wroclaw – we were going to leave for Krakow early the next morning.
The deal was even sweeter when Tamara handed us a 250z cash-infusion.
So what did I do? Did I hit the town, and eat at restaurants? Did I go sightseeing? Did I go shopping?
Actually, I did laundry. Yep, I had accumulated quite a collection of dirty laundry at this point, so I stayed back at the hostel, and slammed some dirty clothes into the washing machine. While waiting for my clothes to get washed, I hung out in the hostel kitchen with Chantelle.
While talking with Chantelle, I learned that a few of the ladies in our group had noticed that men in Poland were a lot more obvious when “checking out” the women around them. Chantelle told me that a few of them had even felt uncomfortable at times, and that it was almost as if some men wanted them to notice. I told her that I wondered if it was just a European thing, and she said that she didn’t know.
I also took a time out to play with the Hostel Dog:
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2:15PM
With my laundry air-drying on a clothing rack in the hostel, I eventually left to go exploring on my own.
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It was chilly, rainy and grey out. I also wasn’t sure where everybody was – we seemed to be all scattered about.
I eventually bought some postcards and a calling card – I was going to call Em later on that day.
2:55PM
I ran into Tara, Tom, Alex (or was it Alexi? My writing is a bit sloppy), Sonia, Ryan and Jiv at the milk bar we had originally seen during our tour of Wroclaw. I had something to eat, and then we all left together.
Eventually, Ryan, Jiv, Alex (Alexi?) and I split off and walked through some of the small artisan shops. We talked with a shopkeep, who told us about a major flood in Wroclaw that had happened about a decade before. Apparently, flooding in the area was quite common.
We thanked the shopkeep, and left.
4:15PM
Somehow or another, I had gotten back to the hostel, and started writing postcards. I also took the opportunity to call my girlfriend Em, and tell her how I was doing.
After the phone call, I felt a little Wroclaw-ed out, and felt I needed some downtime to recouperate. I went into the common room and watched some BBC News.
Finally, I got up, and went out again for something to eat with Tom, Tara, Ryan, Alex, Una, and Linn.
6:33PM
If it hasn’t become clear already, the bunch of us became expert restaurant-hoppers. Choosing restaurants, however, could be a bit of a chore. Often, there were times where we’d travel the entire square several times before deciding on something we could all agree upon.
And for that night, the restaurant was a Greek place called “Ready’s”. This is what my guidebook says about that restaurant:
Paper napkins and plenty of plasticky bits and bobs greet you in what rates as a very poor man’s Sphinx. Eating is just a means to an end here, with plates of kebab meat, fries and chicken being the core dishes. You may enjoy Ready’s, but only after a dozen beers.
Maybe it’s my attraction to no-frills stuff, but I enjoyed this place. I’d eat there again.
In fact, we were enjoying our meal so much that we lost track of time! We paid our bill, rushed out, and tried to figure out how to get to the theatre to see Bacci’s HAMLET.
7:45PM
After a failed attempt at walking to the theatre, we decided as a group to try to take a cab. Eventually, we were able to hail one down, but only four of us were able to take it. After a quick discussion, Ryan, Alex, Una and Linn hopped in, and the rest of us tried to hail another cab. Tom, Tara and I were doubtful that we’d make it.
8:00PM
Luckily, we were able to hail a cab. After flailing some arms, and gesturing wildly at our maps, we were able to communicate to the driver where exactly we wanted to go. I think he knew we were in a hurry, because he floored it.
He pulled up right to the theatre entrance. We paid, hopped out, and rushed into the theatre.
HAMLET. SILENCE FROM THE BODY Directed by Roberto Bacci
When we got inside the theatre, the show was just about to begin. There was no seating left, so I sat in the aisle.
The lights came down, and the show started.
This version of Hamlet was spoken in rapid-fire Italian. There were English and Polish subtitles projected on a surface above the stage. Half-way through the production though, the English subtitles stopped. They just stopped coming.
I think this was a good thing though, since it allowed me to focus on what I was seeing and hearing on stage, as opposed to flicking my eyes up to the screen every few seconds to get my place in the story.
So what did I see? This version of Hamlet had the cast (with the exception of Hamlet himself) dressed in fencing armor – masks and all. I thought the masks helped them pull off some nice sleight of hand, since it allowed them to “dissappear” characters into the anonymous chorus, and have them re-emerge elsewhere. Actual fencing was performed on stage as well, which was exciting to see.
The stage was panelled in wood, giving it a very red, and earthy tone. The major set piece was what appeared to be a large, rusty frame or scaffolding, somewhat like a jungle-gym. This apparatus was climbed upon, walked through, and even had “drawbridge” doors on either side of it. It was a neat contraption, though I was worried for the actors safety when they were climbing it at some points, since it seemed to have a very high centre of gravity. I also wish they had used it more – it seemed to have a lot of potential.
The acting was decent. I had a conversation with Tom about the show afterwards, and we seemed to agree that this was a pretty “meat and potatoes” Hamlet. It did the job of telling the story, and it told it pretty well, but nothing blew our socks off. Tom said that Bacci’s Hamlet was “like a Soul Pepper production, if they had hired a kind-of experimental director. Pretty strong, but nothing special.”
We talked about Hamlet for a bit, and then walked back to the Hostel. I hung around in the common area for a bit, and then I went to sleep early – we had to wake up around 5:30AM to get ready for our bus trip to Krakow the next day.
After I woke up, had breakfast, and cleaned up, Tamara offered us the opportunity to go on a boat ride down the section of the Odra River that runs through Wroclaw. I was interested in going, so I watched some European music videos while I waited for the others to get set.
It was going to be Yev, Jiv, Chantelle, Ryan, Tamara, Peter, Alexi, Sonia, Una, and myself on that boat.
A few minutes later, and we were underway.
11:30AM
It was an absolutely gorgeous day – sunny, warm, and beautiful. Perfect for boating around Wroclaw.
We chugged down the Odra, and then turned around. It was very pleasant.
We also took the opportunity to ask Tamara about the racial/cultural tension that we thought we had picked up on the night before. She told us that she thought it had much to do with the racial monolithicism of Poland. Not sure if I mentioned this before, but Peter Brook said that the Polish audience was the most racially monolithic crowd he’d ever seen.
The boat trip finished. We docked, and the group conversation eventually sizzled out until it was just Tamara and I talking, as we all walked down the streets of Wroclaw. I mentioned how I have never really had the business-end of racism in my face before, and have never had the experience of being the “other”. Tamara responded by telling me that I was very lucky to have grown up in Canada. I agreed with her.
Deciding that we were all hungry, the group split off into smaller groups to find something to eat. The group I was in eventually settled down at a very nice crepe place. I got a crepe with chicken, cheese, spinach and corn. Totally hit the spot!
1:43PM
After eating, we had the rest of the afternoon to do whatever we pleased. As had become custom, we spent our time hopping from restaurant to restaurant, sampling this and that, and watching the locals. Una, Sonia, Chantelle, and I eventually found ourselves at “Pomazanka”, which our guidebook promised would provide the “widest selection on ice cream, cakes and pastries on the Rynek.”
Sonia had apple cake. Chantelle had chocolate cake. Una had marzipan cake. I went for strawberry gelato, and we all decided that our choices were very good.
Had an interesting conversation with Sonia about the gay culture in Poland. When asked for her impressions, she told me that from what she saw, since Poland is highly religious, it stands to reason that the gay culture is probably carefully hidden from plain sight. I told her that I agreed with her – at least for Wroclaw. Warsaw seemed a bit more relaxed.
There’s a lapse in my journaling for a few hours here…from memory, I know I eventually went back to the hostel and phoned my Dad to wish him a happy Father’s Day.
My journal picks up again here:
4:20PM
At this point, I was in the middle of watching one of the optional films for that day – MADAME DE SADE directed by KRZYSZTOF WARLIKOWSKI (yep – the same fellow who directed CLEANSED). Yikes. Granted – this was a videotape of a theatre piece, so it was weakened right off the bat. Anyhow, the camera was too far away, so the audience never got to see the actor’s faces, and the sound was just awful. If theatre is a medium for communication, this video fell way short. I fell asleep. Instantly forgotten.
5:26PM
It was a double feature for videos that day – the next video was a version of MEDEA by ANATOLIJ WASILJEW. It was a one-woman piece…the video was from a presentation that looked like it happened in an art museum.
How to describe this piece?
Two words: Enraged, and Naked. Props to the woman for the effort and the work she was putting in. She was clearly committed, and working hard. However, watching a naked woman yell at me from a chair for an hour is not how I like to spend my time. I just wanted it to stop. If it wasn’t so loud, I’m sure I would have fallen asleep there too.
Video recordings of theatre pieces always fall flat for me – even if they’ve been edited well, and recorded with video in mind. There really are some things that only live theatre can do.
Why didn’t I leave? True – there was nothing keeping me in the theatre. However, I hate leaving bad shows halfway through – I always have this little bit of hope that maybe they’ll save themselves towards the end. Still, I’m usually let down.
Anyhow, we shook off the two videos, and walked back to the hostel to pick up our tickets for that nights live show: AJAX, THE MADNESS by THEODOROS TERZOPOULOS.
AJAX, THE MADESS by THEODOROS TERZOPOULOS
Here are some dark and blurry photos of the whole gang getting ready to see AJAX:
AJAX was a heavily ritualized Greek performance/meditation on the Ajax myth. The show promised murder, guilt, madness, and war satire.
Like I said: heavily ritualized performance/meditation. It was like a 20 minute mantra that was repeated 3 times. There were 3 actors, each taking turns leading the mantra, and each putting their own spin on it.
The first guy was my favourite. Total commitment the entire way. The mantra involved lots of repeated physical actions, and this guy put his whole body into it. I knew he was working hard. How did I know? Because he was sweating buckets. And he never swallowed – saliva just gushed out of his mouth for his entire 20 minutes. The man must have lost 2 litres of body fluid over the course of the show. It was unbelievable. I was blown away by the energy and commitment of that guy.
It went downhill for me from there. The second guy had this highly reflective knife that he kept shining into the audience, and it was really annoying. By the time the third guy went up, I think I had the mantra under my belt. It was nice to see the little differences that each iteration had on the last, but it didn’t really grab me.
And the war satire was kind of weak – at least for me. It almost seemed tagged on, like an afterthought – jetfighter fly-over soundcues, and this image of a processional of coffins. I think I heard a Roger Waters tune tucked in there too.
Anyhow, it was OK. Not great, not terrible. It was awkward for the curtain call though. The audience gave the cast some real good applause, and they were bowing, and that was fine. But then they wouldn’t leave. And because they wouldn’t leave the stage, the audience felt compelled to clap more. So they stayed. And then the director came out, and we clapped for him too. And I could feel the applause dying down, but then they’d come up to centre stage and bow again, and people would keep clapping in an attempt to avoid awkwardness. It was almost like they were drawing applause out of us, as opposed to letting us give it to them.
Somehow, the vicious cycle eventually ended. We left.
Saw some interesting sculptures on the street on the way out:
Not sure what time it was, but from the photos, it looked like it was starting to get dark out.
On our way home, some of us decided to get some midnight snacks at the grocery store. I got some orange juice (a respectable kind, with an expiry date that I felt good about), and some waffle cracker things. Our shopping finished, we walked back to the hotel to eat what we bought.
Then, because we weren’t tired yet, we went to Wizard Hat for an hour or so, and then went back to the grocery store for more midnight snacks. I got orange filling Jaffa Cakes, and shared them with Sonia.
Finally, we went back to the hostel for the last time that night. We chatted for a while in the common room, and then I had a shower and went to bed.
Where have I been? My last blog post was over a month ago!
I’ve been pretty busy. MarkUs is getting close to deployment, I’m about to move to a new apartment, and The Johnson Report has been playing quite a few shows.
So I’ve had my hands full!
But don’t despair – I didn’t forget about Poland!
And on that note, allow me to publish a new chapter…
After waking, cleaning up, and eating breakfast, the whole bunch of us left the hostel to meet a guide for a tour of Wroclaw that Tamara had arranged for us. As usual, our feet guided us to the market square, and that’s where we met Ella, our tour guide.
One of the first interesting things Ella taught us about Wroclaw was about the market square. Apparently, a lot of the “ancient” looking buildings around us were actually only a few decades old. They’d been designed and constructed to look old from the outside and to fit in with the historical look, but the insides were supposedly super-modern. Part of me found that fascinating, another part was a little disappointed. Tricked by architecture.
Ever heard of Max Berg? I hadn’t. Max Berg was a German architect who was appointed as the senior building official for Wroclaw in 1909. According to Ella, Berg got caught up in Post WWI “skyscraper fever”, and wanted to modernize the market square of Wroclaw with epic skyscrapers like the ones in New York.
Anyhow, it didn’t go over very well. He got one up, and I saw it, and it just didn’t work. The building itself was alright, but it just didn’t fit in with the surroundings. This is probably why the buildings around it have been constructed to fit into that ancient style – anything else just looks ridiculous.
Oh, and some irony – the address for that New York style skyscraper? #9/11. Go figure.
See this monument? I’ve been trying to find out more about it. According to what I heard from Ella (which was kind of garbled, since I was hanging out at the back of the group at this point), the monument marks a horrific event that happened sometime in the 17th Century. Apparently, an influential Italian priest told the residents of Wroclaw to put to the fire all of their earthly possessions. So, they built a big fire, and started tossing things in. And then things got out of control, and 41 Jews were apparently burned there as well.
You’d think I could find some information about this monument somewhere on the Web, but no luck so far. The closest I could get was St. John Capistrano, who may have been the alleged priest – though Capistrano lived during the 1400s, which doesn’t fit in at all with the 17th Century time frame. Anyhow, if anyone has some information on this monument, I’d be glad to hear it.
Moving on, we started walking towards the Old Town Hall of Wroclaw. Nearby were some discolored stones on the road which marked a square:
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According to Ella, that square marked where the “mad house cage” was originally located. People who didn’t behave according to the social standards of the time (drunkards, trouble-makers during mass, women who wore trousers, etc) were put into that cage for the whole market square to see. Yeesh.
Then we walked into the Old Town Hall. It has been converted into a type of museum, with roped off areas, info placards, etc. According to my journal, the insides smelled “like a fishing tackle box”. Here are a few shots from the inside:
Yev remarked that this next room was creepy because this is where people were sentenced to be hanged:
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We walked back outside.
The Old Town Hall is more or less in the centre of the market square. Attached to it is a restaurant. According to Ella, this restaurant is currently the oldest restaurant in Europe! Wow! And guess what – this was the restaurant we ate at while discussing CLEANSED the other night. And we had no idea that it was so ancient. Go figure.
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We also saw the “flogging pole” outside of the Old Town Hall. As you can guess, petty criminals used to be roped to this thing, and flogged for the public to see.
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After seeing this, we started to leave the market square. We stopped at a little booth and had some barbequed goat cheese (salty and smoky…not bad). We also saw another gnome – this one atop a giant finger:
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12:05PM
Ella led us towards a tram stop, where we were soon picked up. It was a really old looking tram – unpadded wooden seats, a wooden floor, and a guy who went up and down the aisles collecting our 3z tickets.
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I was lucky – landed one of the few seats! So did Tara, who sat next to me. Here she is, after telling me that the parents in front of us should be slaughtered for the haircuts they gave their children:
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So, riding the tram, we exited the downtown core of Wroclaw.
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I think I’ve remarked about this several times already (if not on this blog, then to others in person), but Poland is interesting because parts of it look like they’re centuries old; ancient, majestic architecture that just screams history.
And parts of Poland look just like Hamiltion:
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Our tram eventually led us to the Centenary Hall.
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Centenary Hall serves the same function as the Air Canada Center in Toronto – it hosts sporting events, talks (like from the Dalai Lama), or anything that involves large numbers of people.
Apparently, this building, also designed by Max Berg, got the same welcome that the new ROM got when it was completed in Toronto. The public absolutely hated it, calling it ugly. Despite that judgement, here’s a beautiful shot of the Centenary Hall:
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We couldn’t actually go inside the Hall, so the visit was really just an opportunity to see the grounds. Here are a few shots of what we saw:
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From what I remember, these fountains were shooting up into the air in various patterns.
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As we left the grounds, I could hear Wagner’s Flight of the Valkyries start to play in the distance. Perhaps we had just left before some kind of water show. We’d never know.
We boarded the tram again, and started heading back down town.
During the ride back, I talked to Linn about web development (she’s a fellow web architect) and also established “Mike’s Nose-picking While Driving Law”, which states:
The likelihood of seeing a solo driver pick his or her nose while idling at an intersection increases with every second of observation.
We also spotted a woman walking a galloping wiener dog, but I couldn’t get my camera out fast enough to capture the moment.
Eventually, Ella led us back to the Wroclaw University that we had briefly visited a few days before. A few of our group decided to take a break from the tour, but a couple of us decided to walk around the University to see the sights.
First of all, the University of Wroclaw sports some pretty impressive alumni:
Traveling upstairs required a ticket (I think they were only 6z though). The first thing we saw when we went up the stairs was the University of Wroclaw’s equivalent to UofT’s Convocation Hall. It was quite a bit smaller, but what it lacked in size, in more than made up for in ornate-ness:
According to Ella, this room was designed with a “counter-reformation” attitude in mind by some Jesuits. So, instead of being reserved, they went all out with gold and sculpture. Nice.
1:55PM
We continued up the stairs to see more exhibits:
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We saw the 17th Meridian, marked out along the floor as it passed through the University:
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We also saw this sign:
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According to Ella, the sign said that the University of Wroclaw houses an extensive set of climate data, going back about 300 years. If any Polish readers out there want to send me an actual translation, I’ll gladly post it.
(Updated: May 15th, 2010)
Piotr Waszkielewicz from Wrocław wrote in with the following translation:
“At this place
behind northern windows
of astronomical observatory
in February 1791
has been started systematic
AIR TEMPERATURE MEASURMENT
Collected data makes
one of the longest
climatological series in Europe
and is a precious informacion source
for climate change research
Thanks Piotr!
Continuing up the stairs eventually led us onto the roof. Once again, a spectacular view from the rooftop of a tower in Wroclaw. This one had statues on each of its corners – with each one representing a particular discipline:
Law:
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Theology:
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Medicine:
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Mathematics:
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I could only take photos of their backs though, since they were facing outwards towards the city.
After breathing in the fresh air, we went back down and met up with the rest of our group. We finished the tour by going to a “milk bar”, which is basically a no-frills cafeteria that serves standard meat & potatoes meals. I instantly fell in love with it. I had a plate of pierogies, and some mineral water, and topped it off with some amazing Wroclaw ice cream.
Once we were done eating, Tamara told us that we were free to explore the city until the shows that night. We split up into several groups. I chose to travel with Sonia and Ryan.
We walked back through the market square, and paused to see a busker send some massive bubbles into the sky:
Eventually, the three of us wandered over to St. Elizabeth’s Church. A wedding was going on inside, and we didn’t want to intrude, but we did find an entrance way to get up to the top of the tower.
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A 5z ticket later, we started our climb.
And what a climb. Something like 300 steps in a dark, spiraling, claustrophobic space. It didn’t help that there were people coming down as we were going up. There was barely enough room for one person to go up, let alone two passing one another.
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With aching thighs, we managed to reach the top. And again, what a sight…here are some of the photos I took up there:
Remember those statues at the University? Here they are, seen from the church tower:
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Here’s what it must look like during a fall from the church tower:
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And remember the Witches Bridge from this blog post? Here it is from the outside:
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And to top it off, a few photos of me up there:
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The walk down the steps was better on our legs, but they were still wobbly once we reached bottom. We stopped at a restaurant, got something to drink, and then headed back to the hostel.
We hung around the hostel for a bit. Ryan introduced me to a YouTube phenomenon called David’s Farm. Basically, it’s this guy named David, who does some pretty crazy stuff up at his farm.
Crazy stuff like this:
Want to see a really bad idea? Fast-forward to about 2:52 into this video. Yikes.
Anyhow, it was almost time to see that evening’s shows. That evening was different, because we had some choice in what we were seeing – there were several different “streams” that we got to choose from. Most of us saw the same stream (as most of the other streams had been sold out), which had us seeing two shows that night.
The first show I saw was called MARLENE DIETRICH. ABOUT BROKEN NAILS, starring Anna Skubik. It turned out to be a one-woman puppet show, and I absolutely fell in love with it. Skubik had beautiful puppetry technique, and I totally bought that there were two characters on stage. It was playful. I really enjoyed it. It made me happy.
The second show was called SMYCZ. How do I descibe that show? It was, to me, variations on a theme, where the theme was “leash” (which is “smycz” in Polish). It was absolutely mesmerizing. Total rollercoaster. The performer, Bartosz Porcyzk, was absolutely incredible – I’d never seen anything like him. Everything he did absolutely held my full attention, even though I didn’t understand a word, and had to read the subtitles (which didn’t help when he’d go off script and improvise). He could sing, he could dance, his acting was phenomenal. His movement was flawless. His voice, suberp. The music behind the show was incredible. The show completely won me over, and most of the rest of us too. I’d definitely see the show again if I could.
Besides the show website, the best I can do to convey what we saw is show you this “trailer” that I found. It’s just some of the songs with some still photos, but it’s better than nothing:
Here are a few shot of us after having our minds blown by SMYCZ:
Nothing revs up drama kids like seeing an amazing show.
After the show, a few of us went to Wizard Hat to talk about it. When we got there though, we ended up spending our time talking about how our presence (as loud, North American drama students) was being perceived in Wroclaw. Ryan (I think?) noticed that another table had been staring at us, and that one guy looked like he wanted to punch all of us. That table eventually left. Maybe we were being too loud and obnoxious. Poland has certainly been smacked around a lot – maybe they don’t look kindly upon loud North Americans coming in and being obnoxious?
Then we got into a big discussion about European and North American stereotypes.
Jiv said that his darker skin colour had drawn a lot of looks his way. Tara said something similar. I said I hadn’t noticed anything for me, and Jiv said that it’s probably because I’m “ethnically ambiguous”, which helps me blend in. Nice.
I was getting tired. After an incredibly satisfying day, I left Wizard Hat, walked back to the hostel, and fell asleep.